Happy Solstice!

Solstice offering to Heru-sa-Aset that used up the last of my gold paint gdi. Depicts the Eye of Heru. NGL, resisted the urge to give it feet as well as arms.

Solstice offering to Heru-sa-Aset that used up the last of my gold paint gdi. Depicts the Eye of Heru. NGL, resisted the urge to give it feet as well as arms. Shorthand glyphs in the top left corner represent ‘Heru, Lord of the Two Lands’. I think you can figure out an ankh and an infinity symbol.

I shouldn’t feel like Solstice crept up on me, because I knew last week I needed to prepare, and I did fuck all, because I am clever, and did everything at the last minute like I normally do. IDK why I pretend I can actually prepare in advance anymore. But anyway. Solstice happened. Got my rituals done. Feeling good about all that. There’s a soft lingering scent in the air, too; incense I burn doesn’t usually stick around this long, but it’s nice. I’m taking that as a sign that the gods accepted the rite and the offerings.

The solstice was meant to happen at about 7am today (WAST, on the 22nd), which I promptly slept through (because who wants to get up at 7am for a long ritual? Not me!). But I’d decided to do my rituals during the day, rather than at night, so I spent last night preparing. Got the shrine all set up, picked out the offerings, did a painting (see above), etc. The plan was to do the ritual almost first thing, but I woke with a migraine, so fuck that. There was house cleaning and shopping for Christmas to do anyway, so I didn’t get around to it until about 4pm, in which I hurriedly wrote out my offering hymn and statement of purpose before I got started. But that’s alright. It went fine, though I think I did rush it a little. I need to remember to slow down when I’m doing ritual.

Also, I really, really need to get around to posting the Kemetic ADF style ritual structure I use, because I think I said that I’d do that last Solstice, and I haven’t, so. I’ll also post the two Solstice hymns I’ve written, since they’re kinda cool, and I like them anyway.

Have a cut, because rambly post is a bit rambly, and not entirely on-topic.

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X is for Xanadu, or How I Finally Met The Muses

(Look! A wild PBP post appears! More later on, because they aren’t done yet. Also, X topics. How I hate you. D:)

Today’s  story is about the Muses I work with and how I met Them. The Muses I work with are not the Olympian Muses. They are called either the Elder Muses, or the Titan Muses/Mousai Titanides. They are a group of three Muses, and are one of the older groups of Muses who existed before the Olympian Muses got solidified into a group of nine and ended up dominating the Muse gig for the rest of eternity (or so it seems.)

I’ve developed a bit of a soft spot for these Muses. They tend to get a paragraph in any article about the Muses, if They get mentioned at all. Theoi.com at least gives Them a separate page, short as it is.  I know Their parentage, Their names, and what Their domains are. That’s it. They’ve been forgotten, and I think half the reason They’re happy to work with me is because I know who They are. The other half is because I am willing to write about Them and hopefully inspire other people to get to know Them too.

Anyway. For those who have never heard of the Mousai Titanides, let me introduce you. They were the first group of Greek Muses, born of Ouranus and Gaia. They were the Titan Goddesses of Music, and there were but three of them; Aoide, whose name means Song; Mneme, whose name means Memory, and who is sometimes linked to Mnemosyne, the Mother of the Muses (I don’t experience this connection though; They feel like separate deities to me); and finally Melete, whose name means Practice or Meditation.

I was first introduced to Them as I was researching a Xanadu-inspired Muse story. I wanted, basically, to take the basic premise of the movie Xanadu (yes, that Xanadu), and turn it into an AU fanfic for a couple of my fandoms. (You can read the final story here, if you’re so inclined. Even my fandoms are obscure as fuck. #winning) So the interaction between Muse and human subject, and the creative process, tailored to the people I wanted to write about. Only, I’ve never been particularly drawn to the Olympian Muses, and didn’t want to use them if I didn’t have to, so when I went researching the Muses and discovered the existence of other Muses, I thought that was quite exciting. The three I was most drawn to also fit the story I was writing, so I went with Them.

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