Sobek devotional news: Announcing ‘Lord of the Carnelian Temple’

Signal boost the shit out of this plz, y/y? :D?

OKAY SO. I might have mentioned I’d put my hand up to edit a Sobek devotional anthology with Bibliotheca Alexandrina, and after a lot of work and wrangling and sorting things out, it’s all official now. I have a title and everything!

Lord of the Carnelian Temple info

Anyone who works with Sobek, or has an interest in Sobek, including Sobek-Ra (because I know there are some of you out there, too), is more than welcome to submit work for this anthology. ILU all, let’s make this happen. ❤

I’m opening submissions in July, and running it through to the end of the year, so don’t let me down! I’ll be looking to release it by March next year, if you all do your part and send me enough material. Start working on your submissions so the world can finally have a Sobek devotional. I have dreamed about putting one of these together for years, and now it’s so close. SO CLOSE. Help me finally stop dreaming about this and make it a reality. ❤ ❤ ❤

I’m still deciding on what I’m going to include, but I’m going to at least try to get all my LAGG epithet translations done so there’s as full a list as possible (even though I’m missing, like, eight pages, thanks, google books, not helpful). There will probably be at least one ritual, some hymns, and some fiction. Maybe an essay if I feel inspired enough to do that.

So yes, bring me your Sobek things!

And if anyone wants to discuss this project privately, or talk about potential submissions, before things kick off in July, hit up sobekdevotionalATgmail.com. TYVM. ❤

This is my Isis

isis-graphic-1

So I want to talk about Isis, and this particular image of Isis, and why it means so much to me to own this statue at last. Because I finally had the money for it, and I finally found somewhere in Australia to buy it online from, and She arrived today, and I can’t tell you how happy I am to have Her at last. I have waited years for Her. And now She is finally here.

So you will forgive me if I get a bit tl;dr, and veer off into UPG territory, as well as whatever tangents are needed to explain all this fully, but I think it’s time I finally talked about this image, and why it is my Isis. Nothing has ever come close to being my Isis than this image of Her. It’s not traditional, it’s video game art, but this is what She means to me. When I think about Isis, this is who I see. Perhaps this isn’t the same for everyone else, but this is my Isis. Let me introduce you to Her.

Continue reading

That point of no return

Sometimes, the cards have to tell you something three times before you understand what it is they’re trying to tell you. So it was with the omen I took during last night’s High Day ritual. I’ve been mulling over it, and I had a moment of clarity this afternoon when I realised what it was trying to say. The door that’s been closed, the path I can no longer retreat to, is Kemetic. In some ways, it’s a way to firmly keep my focus on my druidic studies, and commit to them. But it’s still an end of one path, and the beginning of another, and I didn’t realise I would even miss it until this evening, when I was writing up my omen notes.

I’ve been feeling that shift for months now, to be honest, but never knew how to articulate it or understand what it was. And now that I know, that’s when it begins to hurt. To miss what I’ve left behind, even though I’m not willing to leave what I’ve now established. This is home, and I didn’t know it until last night, when I sang words to that effect to Hermes. I’ll never stop being Sobek and Heru’s priest, of course. They wouldn’t have made me Their priest if I was just going to leave Them behind. But the rest of those relationships with Egyptian gods have fallen away and we’ve drifted apart. I no longer default to those gods anymore. I default to the Greeks. Which is strange to think about. But there you go. I think this has been in the works for years, but I’m sure Sobek has His reasons for taking me in this particular direction.

I feel like I’ve drifted, or moved, so far from Egypt. It feels like a distant place, far from where I am now. The gods feel unfamiliar, with the exception of Sobek, Heru, Isis, and Wesir, and strange. And I’ve definitely changed, it’s definitely not them. I’ve been calling myself a polytheist, rather than a Kemetic, for a few years now, because any sort of cultural affiliation always seemed hollow and narrowly defined. That, and I don’t work within one single cultural pantheon, so. This just seems to be my place now.

It also helps to reinforce, for me, that sense of foreign gods in a foreign land, that feeling of not being from there, and having to get to know things and how they work all over again. I’ve always felt that to a certain extent, but it’s more explicit now. At least, it feels that way. It may just be a way to shift me into that mindset that’s better suited to connecting with nature spirits and the environment and whatnot, but we’ll see. We’ll see where this new path takes me, and what new relationships I’ll form along the way. I’m sad to leave one thing behind, but this new path feels so right I can’t imagine it not being there. I fell in love with Hekate, with Hermes, with Artemis and Hestia. These gods embraced me and adopted me, even though I felt like I was a stranger to Them. They are my gods now. For how long, I don’t know. But I’ll enjoy the ride while it lasts.

Shedety Shrine is finished

Thought it was about time I did a proper post about the finished shrines. They take up a lot more of the room than the old ones did, and I guess that’s a sign of my shift in priorities and whatnot. It’s still undergoing minor adjustments, but otherwise, it’s done.

Sobek’s named it the Shedety Shrine, so that’s what I’m going to keep calling it. It’s the name for the whole, as much as for the Sobek/Heru part itself. It doesn’t cover the other shrines around the room, but that’s alright. Those are kind of separate. This is a full working shrine, where everything is integrated into the whole. It’s nice to get used to using it, and lighting candles, and saying my prayers. Getting used to the new space, and what I can do with it, and when I need more space. What I want to show, and what can go away for now.

The festival shrine proved the hardest to place, but having it below the Sobek/Heru shrine seemed like the best place, and gave me the most space to work with. We’ll see how well it works over the course of the next year of festivals. I might make some adjustments as I go along as to how I lay things out, and make it work.

Anyway, have a gallery of images, because there are 17 photos, and I cbf writing a tl;dr post of photos. It’s under the cut, and you should be able to click through to larger versions. I’ve added in as many proper explanations as I can for what’s there, but if anything’s unclear, feel free to ask.

Continue reading